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El presente trabajo sobre “The Ladies Gallery” (1998, 1996) de Irene Vilar, sitúa estas memorias en el contexto general de la autobiografía puertorriqueña y en la estrecha relación que ha sostenido con el nacionalismo y la historiografía insular. El análisis establece vínculos entre la búsqueda autobiográfica de la autora (misticismo, maternidad, suicidio, feminismo) y la de otras escritoras provenientes de diferentes tradiciones literarias. El estudio también toma en cuenta el dialogo que Impossible Motherhood. Testimony of an Abortion Addict (2009), el segundo volumen de memorias de VIlar, establece The Ladies Gallery. Propone entonces una reflexión sobre la muerte como hilo conductor entre las dos obras. Al hacerlo, subraya la necesidad de leerlas como un todo barroco e indisociable, se vuelven las vías privilegiadas del conocimiento de sí mismo. This study of the Ladies Gallert (1998, 1996) by Irene Vilar, places this memoir in the general context of Puerto Rican autobiography in its close relationship with nationalism and the island’s historiography. The analysis establishes connections between Irene Vilar’s autobiographical (mysticism, maternity, suicide, feminism) and that of other women writers from different literary traditions. The study also takes into account the dialogue that Impossible Motherhood. Testimony of an Abortion Addict (2009), the author’s second memoir, establishes with the first, The Ladies Gallery. It then suggests the possibility of reading death as the common thread between works. By suggesting this, it underlines the need to read them as inseparable baroque autobiographical entity, in which confession and silence, in constant succession, become the privileges paths toward self-knowledge.
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What is a ti bolonm? What does a ladjablès do? What are the differences between tjenbwa (obeah), gajé (witchcraft), zèb (white magic) and maji nwè (black magic)? Under what circumstances would you read a psalm on someones head? When do you perform a jès, and how would you do it? How does bush medicine (wimèd wazyé) relate to the supernatural? These and other question are explored in an introductory exposition of the supernatural world in St. Lucia and the Creole terminology associated with it. Insights shared in this paper come out of sixteen years of study in residence in St. Lucia with particular attention given to lexicography, belief systems and natural texts.
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